Kim Kitsuragi
- conversations
- 402
- Locations
- 16
Dialogue
402- On the table you see a bowl of water, a rough soap, and next to it a small hand mirror. A…
- The motor carriage looks very sad sitting all alone in the ice.
- You see a heavy steel door with a prominent dimple lock. It's painted blue.
- The scaffolding around the old monument has been taken down. In its place are the spoils…
- A plaster cast bust depicts a middle-aged man with impressive sideburns. The name on the…
- She's crying, too heartbroken to notice you standing next to her.
- "I have nothing to say to you. Get out of my sight."
- The ageing alcoholic is still there, breathing... The air in the room is stale.
- "Don't call... don't call her..." The drunk man speaks in his sleep. Drool dribbles from…
- "The legend returns. You know the deal, legend-man. Smokes are smokey, pilsner... gets…
- The woman stands, slumped. She looks catatonic under her mountain of RCM paraphernalia…
- "Hello! Isn't this a fine morning?" He nods to you, smiling.
- Machine's keyboard is still illuminated, revealing virescent PLAY and PRINT buttons.
- A metal payphone under a yellow plastic dome. There's a bitter, caustic taste on the tip…
- "Oh hey, wey. There's coffee in the back... Oh, wait, I meant the Mother's love."
- "Yes, what is it?" She doesn't look up from the keyboard.
- This door is made of metal and appears to be reinforced. Someone here really values their…
- A weathered brown door. The number reads '20'.
Notes
461- "Put that away. Right now." He stops you.
- You can't help but notice a little approving nod the lieutenant makes. He agrees.
- The lieutenant doesn't even flinch. "Anyway, let's try to find a new tape player. Perhaps we should talk to Roy at the pawnshop."
- The lieutenant doesn't even flinch. "Anyway, let's try to find a new tape player. There's a pawnshop near the water lock, maybe they have a spare."
- The lieutenant slaps the sandwich out of your hand faster than you could ever hope to react in your sorry state. It lands in the dirt and falls apart.
- "Great." The lieutenant shakes his head. "Wonderful. Good job. I mean why wouldn't you throw it... wait, turns out I don't actually care. Leave it and let's …
- He finishes his slice and brushes the wheat-free flour off his hands. "That wasn't terrible. Well, shall we?"
- He puts his glasses back on and repeats: "Never. Now, let's go."
- "Good. I'm glad we had this talk." He nods. "After you."
- "Whooh..." He takes off his glasses, reaches for a cloth -- pauses -- and puts his glasses back on.
- "I don't know why she left you. Let's go."
- He puts his glasses back on. "Now, let's go. And let's keep guns out of our mouths. And not say anything about any gloaming, or anything like that."
- "No need to apologize -- just keep your gun out of your mouth and we'll be all right." He nods. "Let's move."
- "Yes. Very, very, very wrong." He nods in agreement. "I'm glad you see it my way. Let's go."
- "I'm sorry, I know I fucked up."
- "I could have done more."
- "There's nothing to discuss, let's move on." [Leave.]
- "We would strike everything you've done and process you as a POW. You were in a war. You were on assignment. We could even extradite you to the Samaran Peopl…