Conversation · Washerwoman
Speakers · 30
Washerwoman
You
Kim Kitsuragi
Esprit de Corps
Inland Empire
Empathy
Authority
Volition
Physical Instrument
Rhetoric
Composure
Conceptualization
Perception (Sight)
Savoir Faire
Shivers
Drama
Hand/Eye Coordination
Half Light
Logic
Suggestion
Visual Calculus
Endurance
Reaction Speed
Encyclopedia
Electrochemistry- Horrific Necktie
Interfacing
Pain Threshold
Perception (Taste)
Perception (Hearing)
When
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Logic and reason won't work on this old bat. Better go for shameless emotional manipulation. What's a grandmother's deepest vulnerability?
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"What's going to happen to Lilienne's kids? The twins and little Lily?"
"What's going to happen to little Lily?"
"What's going to happen to Lilienne's twins?"
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"No! They're good kids. I brought them up the right way." There's a note of defiance in her voice.
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"No..." the old woman says, her cloudy eyes darting sideways. "They moved to Faubourg for work."
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"I don't believe the fat man's youth centre is gonna change anything. But what other choice do we have? It's not like the Coalition Government is coming to save us..."
"I won't be around much longer, anyway. Not with the dampness in my bones." She looks at her knees. "If they want to take a chance, who am I to stop them?"
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"Aye, we do... we do..." A hint of sadness passes through her face. "But how do we do that?"
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"Will you sign the papers? Right where the squiggly line is. For the children?" (Hand her the documents.)
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"I said 'Will you sign the papers?' Right where the squiggly line is. For the children?" (Hand her the documents.)
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"Fine," she mutters. Grabbing a pen from inside her apron pocket, she scribbles her name on the dotted line and hands the document back to you.
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"See that you didn't just get us all screwed. I might be half-blind, but I have a good memory for treachery."
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"You can start by signing these papers. Where the squiggly line is. I've got a pen right here." (Hand her the documents.)
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"I said, 'You can start by signing these papers.' Where the squiggly line is. I've got a pen right here." (Hand her the documents.)
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Reluctantly, she takes the pen from your hand, scribbles her name on the line, and hands everything back to you.
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"I said, 'You can start by signing these papers.' I've got a pen right here." (Hand her the documents.)
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"I said 'Will you sign the papers?' For the children?" (Hand her the documents.)
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"You watch your tongue, boy. This village has held up much better than some people." Even with her cataracts she can pierce right through you.
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"That doesn't mean you're wrong though," she sighs. "This place ain't what it used to be, even I can see that..."
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"Aye, they're good kids. I brought them up the right way." There's a touch of pride in her voice.
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Like ocean waves shaping the coastline, you will wear her down. Pebble by pebble. Just be persistent.
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"I've heard that pitch before plenty. 'Building this, building that, new jobs, new blood...'" She shakes her head in disdain. "Somehow the people here always end up holding the short end of the stick."
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- Tastes like soap. Unsurprisingly.
- Maybe just look at her with big pleading eyes?
- "Cops bribing citizens? Doesn't it usually go the other way around?" She doesn't wait for your reply.
- "What you'll find is poverty and abandon." She grins. "Not much of a threat you've got there."
- "Were you dropped on the head as a kid? You can't live off a pittance for long..."
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"Save your breath, officer. This deal isn't going anywhere. Now if you'll excuse me, I've got this whole bucket-full of rags to finish. That's my job. Maybe you should do yours?"
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"We really should focus on some actual leads..." The lieutenant looks around uncomfortably. "Negotiating real estate deals isn't our main thing."
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You know, there could be another way. You'll need to go some place private and discreet, though... like your shack.
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The virtue you exhibit in even the most difficult of moral dilemmas, speaks of the purest of heart and soul. Soon it will be time for another Arch.