It's a shame. Recognition from an actual police officer would probably mean a lot to her. Too bad she'll never know...
Conversation · Hand/Eye Coordination
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"Mr. Morrand... Gareth, thank you. Thank you!" As the sharp end of the pin grazes the flesh, a blessed smile emerges. Then it expires, and like a shadow moving on the ground, all sentience fades again.
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Mr. Morrand? Mr. Gareth Morrand, the former cop, turned Channel 8 crime show host? That Gareth Morrand from the radio?
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The woman stands motionless. Just a heap of clothes and flashers now -- maybe if you search her?
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Lieutenant Kitsuragi would probably know what to do, but right now you're just gonna have to leave her like this.
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The locals will take care of her. Someone's bound to know her family. Nothing you can do for her anymore.
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The woman stands in front of you, motionless, unresponsive. Almost like an inanimate object now. A mountain of police paraphernalia.
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Her children and their children, if there were any, stopped coming when it got really bad.
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But it feels like you are, because the old woman standing there is motionless, emotionless and unresponsive. Almost like an inanimate object.
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"She's in a stupor," the lieutenant replies, inspecting the catatonic woman standing in the dark. "I've seen this before. God knows for how long... Could be days when they get like this."
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"Honestly, I don't know. Dementia, probably," he lowers his voice. "Dementia and Channel 8. And loneliness."
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"Could be," agrees the lieutenant. "Her hands were trembling and she did seem uncoordinated... But what are we gonna do with her?"
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- "Looks like a bad case." He gives the woman a compassionate look. "But the question is what to do with her right now."
- "There's a bit more to this than that," the lieutenant disagrees. "But right now we need to decide what to do with her."
- "Could be," agrees the lieutenant. "Her hands were trembling and she did seem uncoordinated... But what are we gonna do with her?"
- "Probably not," the lieutenant agrees. "But more pressing is the question of what to do with her right now?"
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"Probably not," the lieutenant agrees. "But more pressing is the question of what to do with her right now?"
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"There's a bit more to this than that," the lieutenant disagrees. "But right now we need to decide what to do with her."
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"Looks like a bad case." He gives the woman a compassionate look. "But the question is what to do with her right now."
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Her scratched skin is warm to the touch, but the person inside doesn't even know you're there.
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Great gears are grinding to a halt. The machine is powering down. She's all out of jolt.
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Weapon still trained on The Pigs, the lieutenant swiftly reaches down to snatch up the gun.
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"Why would they cheat me like this?! I don't have ANYONE!" She slams her heavy boot in the ground. The impact travelling through the planks, sends your gun through the crack, into the black nothingness below.
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In your peripheral vision the lieutenant releases the half-squeezed trigger.
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"God..." the lieutenant exhales loudly and uses his off-hand to wipe his forehead. "I almost blew her head off..."
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No... no-no-no-no. THEY'RE REALLY NOT. The gun wasn't even loaded. No shots fired. You're fine.
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"I've been thinking that too. But it's impossible to tell for certain in these lighting conditions."
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"What...?" The woman looks at the weapon in disbelief, her eyes suddenly reddish with tears. She looks straight down the barrel... and squeezes the trigger.