Conversation · Tiago
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"Coffee in the back"? Something familiar about that. Coffee and stale cookies...
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- "Do you know where the other spooker is?" (Point at the strange machines around you.)Remembered · 1
- "You've been here a long time. Do you know why the church was abandoned?"Remembered · 1
- "Okay then, thanks." [Leave.]
- "You must be the crab-man."Remembered · 2
- "What are you doing here?"Remembered · 1
- "Did you just climb down from the church tower?"Remembered · 2
- "Have you by any chance heard the viejita say the password to her radiocomputer?"
- "Some ravers want to turn this place into a nightclub."
- "What was that about coffee? I feel like I've heard it somewhere before..."
- "You know, there are some speedfreaks around here who call you 'the crab-man'."Remembered · 1
- "You've been here for a long time. Did you see the police raid that took place here?"
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- The sinewy figure lingers on the wooden beams, blending into the shadows.
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- This Mother of Silence sounds like a serious player. You might want to be careful, until you find out what you're dealing with.
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- 'Tis not an act, my liege -- saving, perchance, he hath deceived his very self. This man is a zealot.
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"No, I just call her 'viejita' because of her clothes, she's actually quite young..." He scratches his head. "Or maybe not that young... Age is just one of the many masks we wear."
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"Did it ever seem to you like she was hiding here from something?" The lieutenant seems to be thinking the same. He takes out his little notebook.
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"You mean like a fugitive?" He glances at the abandoned radiocomputer on the other side of the nave, pulsing with light. Then he shakes his head.
"No, man, quite the opposite -- I don't think she cares much about authority or, anything else for that matter. Maybe only about her machines."
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"Don't really follow her comings and goings. Just see her typing on her computer now and then. We've got different interests."
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"You mean like a fugitive?" He glances at the abandoned radiocomputer on the other side of the nave, pulsing with light. Then he shakes his head.
"No, man, quite the opposite -- I don't think she cares much about authority or, anything else for that matter. Maybe only about her machines."
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"Not really, or at least I don't remember much of it anymore. The Mother's Love has done its job... That's what's so great about the Mother -- it lets you forget about everything."
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Could it be that he just doesn't want to discuss a police raid with another police officer?
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"I'm going to ask you again: are you the crab-man?"
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"Never known myself to be a crab. But if that's the name you've got for me, I won't stop you from using it."
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He considers this for a moment. "I always thought of myself more like a flame. Flickering along the rafters and beams." He pauses. "It may be that I gotta work on my technique."
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That's not the only technique he's working on. Look at those carved sculptures. And is that a satchel of tools over there?
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- "I see what you've done there. It's as if these figures are trying to become one with the church -- or perhaps with the Mother herself."
- "You're promoting the objectification of women with your reactionary depiction of female bodies."
- (Rub your chin.) "You've got some nice... curves going there."
- "Honestly, I don't get it. All these figures look half-finished."
- (Squint your eyes.) "These seem a tad... derivative."
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"I see what you've done there. It's as if these figures are trying to become one with the church -- or perhaps with the Mother herself."
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- "I see what you've done there. It's as if these figures are trying to become one with the church -- or perhaps with the Mother herself."
- "You're promoting the objectification of women with your reactionary depiction of female bodies."
- (Rub your chin.) "You've got some nice... curves going there."
- "Honestly, I don't get it. All these figures look half-finished."
- (Squint your eyes.) "These seem a tad... derivative."
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"What were you before you became a crab-man and a woodcarver?"
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"I was in a gang, wey. But my memories of that time are fading... Most of them are already gone."
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- "So you used to be in a gang, but you don't really remember it? Sounds convenient."
- (Shake your head.) "So many people losing their memory... A certain portent of doom..."
- "I lost my memory, too, but I like it. It's like I get to create a whole new me, start again from scratch."
- "I lost my memory, too. And it haunts me."
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There's a profound longing in that gaze. Like he wants to be one with whatever is up there, shrouded in darkness.
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- "Naw, ese, it's not like that. Best thing that could happen to you -- losing your memory..."
- There's a profound longing in that gaze. Like he wants to be one with whatever is up there, shrouded in darkness.
- "No, man. You gotta let that shit go." He looks at you as if he wants to pat you on the back. "Then the Mother's light touch will fill you with rapture..."
- "That's not really the point, ese." He frowns. "You gotta give yourself over to service... Service of the Mother, that is..."
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The lieutenant is not particularly interested in this information. He's just trying to assert some control over the conversation.
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"Tiago is my name. But those syllables don't mean much to me these days. A name isn't just your identity, but also, so to speak..."
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"...your place among your fellows, your place in the world. I ain't got no use for such a place anymore."
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- "I don't do names either. Names are out. I don't care what mine is."
- "My name's Harrier Du Bois, and my place in the world is lieutenant double-yefreitor."
- "Maybe that's why I feel so lonely -- without a name, I have no place."
- "My name's Harry." (Extend your hand for a greeting.)
- "My name sets me apart from my fellows. How often do you meet a Raphaël Ambrosius Costeau?"
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"That's not quite right, but you're getting somewhere." He smiles enigmatically. "Any one of us could have been anything else..."