Conversation · Titus Hardie
Speakers · 28
Titus Hardie
You
Conceptualization
Hand/Eye Coordination
Kim Kitsuragi
Shanky
Glen
Interfacing
Alain
Rhetoric
Fat Angus
Eugene
Electrochemistry
Elizabeth
Half Light
Perception (Sight)
Inland Empire
Authority
Suggestion
Physical Instrument
Reaction Speed
Logic
Perception (Hearing)
Composure
Empathy
Esprit de Corps
Visual Calculus
Drama
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This is their last play -- this tape. Their story is in tatters, a mess. It might be nice to listen to -- but at this point, you don't need to.
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The room is so quiet you could hear a pin drop. The rest of the cafeteria has gone quiet too.
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"Goddamnit..." He clenches his fists. "I show you all kinds of kindness, let you snoop around in my town -- and then I ask you one thing..."
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"And what do you do? You go and push her anyway!" Something breaks in him. He takes a step closer. "I am going to... fucking..."
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"She wasn't raped." The lieutenant's voice is beginning to betray his agitation. "The witness' statements were very clear."
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"Goddamnit... you fucking questioned her, didn't you? I told you not to push her! I fucking told you!"
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You've hit a nerve. Titus is furious -- no, more than that -- the loyal Titus feels betrayed.
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"I found eight sets of footprints, but there's only seven of you. Where is the eighth Hardie boy?"
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Wants the world to know he's a macho-macho man: tobacco-chewing and knuckle-cracking. Who else do we have here?
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"No-no-no," he points at himself, "eyes here! You got business with my boys, you got business with me."
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The boys are too eager to please him to keep their mouths shut. You're gonna get a good head count here, just wait...
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His eyes narrow. His right hand starts tapping a quick little rhythm on his thigh: tap tap tap.
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What do you think you're doing? you hear, but his mouth isn't moving. It's the tension in his shoulders speaking.
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I can do this all night long, his clenched fists say, their knuckles turning white. I'm young. You're fifty thousand years old.
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"Probably," the scars on his arms say. "I need to be like this to lead them -- something you would understand."
The moment ends. With begrudging respect the man leans back. Time to say something.
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'No, you're not. You're frail and your nerves are frayed. Old sadness weighs you down.' He refuses to budge.
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You failed here -- a weakness is a weakness, not a strength. Time to speak now. With words.
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Good, the twitch in his eye replies. I've beaten a man so hard he doesn't move. Or maybe I kept his head underwater? Hard to say which, but you can feel the ugly in me too.
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With begrudging respect he leans back. The room around you is silent. Time to speak now. With words.
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He hunches forward. His right hand starts tapping a quick little rhythm on his thigh: tap tap tap.
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"You still haven't explained the bullet I found in the hanged man's head."
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"There's an old catatonic lady in the old fish market, on the other side of the bay. She needs help."
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"Hey, about that complex operation out of Rubys lorry -- I think that's tied to another case I'm working."