Conversation · Volition
Speakers · 25
Volition
You
Logic
Drama
Electrochemistry
Suggestion
Klaasje (Miss Oranje Disco Dancer)
Rhetoric
Perception (Sight)- Empathy
Half Light
Reaction Speed
Authority
Physical Instrument
Composure
Savoir Faire
Conceptualization
Endurance- Perception (Hearing)
Kim Kitsuragi
Pain Threshold
Interfacing
Inland Empire
Esprit de Corps
Encyclopedia
When
- 12:00 · 13:00 · 14:00 · 15:00 · 16:00 · 17:00 · 18:00 "Actually it's already afternoon."
- 19:00 · 20:00 · 21:00 · 22:00 · 23:00 "Actually, it's evening, miss."
- 07:00 · 08:00 · 09:00 · 10:00 · 11:00 "It's not that early."
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"Oh yes, various artists. Ostentatious Orchestrations prime among them." She arches her eyebrow, waiting for it to connect with you.
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"OO were huge where I come from. I was very young then, of course. Like seven. 'Life gets haaard!'" she says, half-singing. "'But we go ooooooon!'"
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"It would appear so. At around two o'clock the disco stopped and there was a change of pace."
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- "I think you might have come to the same conclusion last night. At around two o'clock the disco stopped and there was a change of pace."
- "It would appear so. At around two o'clock the disco stopped and there was a change of pace."
- "I don't know about that... at around two o'clock the disco stopped and there was a change of pace."
"A slow, sad song started playing. Like organ music, on repeat. That went on for quite a while. Some of that time you were yelling along to it."
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- "That it doesn't matter anymore. And that we are alone now. It was difficult to tell, the song itself was very quiet and soft, but you sounded like a wounded boar, sir. It was hard to understand what you were singing on top of it."
- Continue
- "Yes! There was a church in there. A really small church. Like the smallest, saddest church in the whole world. It was about that. And also..."
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"That it doesn't matter anymore. And that we are alone now. It was difficult to tell, the song itself was very quiet and soft, but you sounded like a wounded boar, sir. It was hard to understand what you were singing on top of it."
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- "That it doesn't matter anymore. And that we are alone now. It was difficult to tell, the song itself was very quiet and soft, but you sounded like a wounded boar, sir. It was hard to understand what you were singing on top of it."
- It's impossible to say whether she's being sarcastic or really means it.
- "Don't be, I was going out later anyway. It didn't bother me."
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"No, it didn't sound like there was a fight. It sounded like someone was trashing their room." She takes a sip of her coffee and smiles.
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"A window was smashed. The tape player probably -- the song stopped -- and furniture too. A real destructothon. There was screaming. Then, I think, you passed out."
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"There was. I think you screamed that you... didn't want to be this type of animal anymore. I may have misheard, but it was sort of memorable."
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"I went out afterwards, everything was quiet by then. Around four or five." She nods. "And that was it."
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"Okay. What should we talk about now?" She takes a drag of her cigarette.
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"Was I singing this?" (Show her the tape of "The Smallest Church In Saint-Saëns".)
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"Yes! There was a church in there. A really small church. Like the smallest, saddest church in the whole world. It was about that. And also..."
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"Maybe we should stop going on then? Doesn't the 'going on' cause the 'getting harder' part?"
Conditional
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"I think you might have come to the same conclusion last night. At around two o'clock the disco stopped and there was a change of pace."
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"I don't know about that... at around two o'clock the disco stopped and there was a change of pace."
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"Yes, you're just one room away." She pours herself more coffee. "Very personal."
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Good. Yes. This means she could have heard something. Like what you were doing before you blacked out.
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"You do not need to know that." The lieutenant taps on his notebook. "What you need is to ask normal police questions -- like..." He waits for you to finish the sentence.